In the early years of the twentieth century, President Charles William Eliot fought to keep Harvard from becoming a refuge for “the stupid sons of the rich.” A. Lawrence Lowell, a tireless builder, gave the modern University its physical structure. James Conant helped forge a wartime alliance of universities, industry, and government that sustained an astonishingly prosperous postwar epoch.
Their successors saw Harvard through the turbulent 1960s and 1970s, adapting the University’s programs and policies to the needs of a rapidly changing society, strengthening longstanding bonds with international institutions, and creating new ties to the cultures of Japan, China, and other Eastern nations.
In words and pictures, Harvard Observed documents the shaping of the singular institution that poet and essayist David McCord, a former Harvard Alumni Bulletin editor, called “the haven of scholars and teachers, the laboratory of scientists and technicians, the church of the theologian, the crow’s nest of the visionary, the courtroom of the law, the forum of the public servant. It is gallery, concert hall, and stage; the out-patient ward for the medical student, counting-house of the businessman, classroom of the nation, lecture platform for the visitor, library to the world; and…‘on of the great achievements of American democracy.’”
Depicting the evolution of twentieth-century Harvard in the broader context of national and world events, Harvard Observed has much to say and show about the academic rites, intellectual arguments, sexual mores, fads, and folklore that became touchstones for successive generations of Harvardians. Photographs, drawings, and paintings from the University’s vast archival collections and museums add a compelling visual dimension.
THIS EDITION HAS BEEN REPLACED BY A NEWER TWO-VOLUME PAPERBACK EDITION.
This now classic history of the world in our century has been updated and expanded to take the history almost to the end of our century. It is being published in paperback in two compact volumes, divided at the time of the Cold War. Volume I covers the years 1900 to 1947 while volume II extends from 1945 to 1996. Grenville has also updated the references and index, and has provided new prefatory material. All illustrations and maps have been retained.
In this enlargement of his outstanding history of the world, Grenville stresses the history of nation-states within a world of interdependence and regional groupings. The twentieth century remains an epoch of revolutionary change. Clashes of culture, the impact of technology, the consequences of industrialization all play out within national borders that are also porous.
In this latest enlarged edition, Grenville has updated the history through 1999 and added new material on the demise of Yugoslavia, with its wars and ethnic cleansing; Clinton's policies in Haiti, Somalia, and Asia; his economic policy; Eastern Europe's new democracies; and the progress of Third World countries. Democracy and the market economy are portrayed as the linchpins of a new century.
Lillian Lorca de Tagle is living proof of women's progress in the twentieth century. Born into a privileged, yet circumscribed world in 1914 as the daughter of a wealthy Chilean diplomat, she became a translator and journalist at a time when few women of her class held jobs. Ordered into exile in the United States by her disapproving mother, she became a successful reporter, translator, and editor, while raising two daughters as a single working mother.
In this beautifully written memoir, de Tagle looks back over a fascinating, cosmopolitan life. She describes how her upbringing in various European capitals prepared her for a life of continual change. She remembers the restrictions that upper class Chilean society placed on women and how these ultimately propelled her to a career in the United States that included an editorship at Américas magazine and work for the State Department, as well as a series of posts with the USIA/Voice of America.
Woven throughout her memoir are vivid glimpses of family, friends, husbands, and lovers, including the artist Roberto Matta. This spicy blend of personalities, work, and culture tells a quintessential coming-of-age story of a thoroughly modern woman.
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